My first blog entry for Astrobabylon commends my creative partner, Cate Riley, and her execution of cult leader, Charles Manson, for the latest cover of Astrobabble. Cate designed the cover below for issue three, incorporating the issue’s number five theme and main article concerning American actor and artist, Dennis Hopper.
Cate sent me the image electronically via Facebook. When I first opened it, I experienced one of those rare moments of gratitude; of truly realising how lucky I am to have a talented somebody contributing to my baby. It’s not something I take for granted.
Check out Cate's striking website at http://www.fadstudios.com.au/ to see what her and husband, Rob, are doing for Canberra (and the rest of Oz) design-wise. It's worth a sticky beak.
Continuing the theme of My Zine Man in Japan (that is, happily flogging Gianni Simone’s many zine projects), this week I review his other self publishing nugget, Kairan (issues 14 and 15) which covers the history of photocopier art, most commonly known amongst zinesters as xerography.
Issue 14: Xerography 1938 – 2008, Vol. 1 is, more or less, a reproduction of an article, Copy Art: Some Preliminary Notes on Technique, by Reed Altemus. The issue opens with a forward by Gianni bemoaning the fact that the zinester’s right to mess with machines has been boycotted by technology. Older photocopiers possessed shortcomings which worked to the zinester’s advantage when experimenting with xerography. The new generation of copiers, such as those found in Officeworks, doesn’t allow the zinester to play the same ‘tricks’. It’s these ‘tricks’ which Altemus covers in his article. And what an education in copy art techniques it is.
Altemus covers methods such as collage, degeneration, overprinting, and one that I will be experimenting with for the next cover of Astrobabble, copy motion. This is the (seemingly) simple technique of moving material to be copied during the scanning process to create a motion effect. Kairan is littered with examples of copy motion and other techniques by various copier artists and zinesters. Altemus praises Belgian born copy artist, Lieve Prins, as being one of the pioneers of copy art. Check out her handy work at http://www.lieveprins.com/. Impressive stuff.
Issue 15: Xerography 1938 – 2008, Vol. 2 contains articles by John A Walker, Klaus Urbons, and John Held Jr who cover the historical, social, and technical aspects of copier and mail art. Like issue 14, it has a generous supply of copy art examples. I find both issues educational and overwhelming. I now realise that the hard work is ahead of me.
Kairan can be purchased or traded by contacting Gianni through his blogs Gloomy Sundays at http://gloomy-sundays.blogspot.com/ and A Man Called Horse at http://man-horse.blogspot.com/.
